Besson Swiss Open
|
Date:
|
26 Sep 2015 |
|
Venue:
|
Kultur und Kongresszentrum KKL (Salle Blanche), Luzern |
| Adjudicator(s): |
David Childs, Pascal Eicher, Paul Holland, Howard Lorriman, Patrick Ottiger |
|
Test piece:
|
Of Distant Memories (Music in an Olden Style) (Edward Gregson) |
| Pos |
Band
|
Conductor
|
Test Piece |
Entertainment |
Total |
|
|
|
Draw |
Points |
Pos |
Draw |
Points |
Pos |
points |
| 1 |
Brass Band Treize Étoiles |
James Gourlay |
10 |
171 |
1 |
4 |
179 |
1 |
350 |
|
Hunnenschlacht (The Battle of the Huns) (Franz Liszt arr Bertrand Moren) |
| 2 |
Brass Band Fribourg A |
Frédéric Théodoloz |
1 |
169 |
3 |
10 |
178 |
2 |
347 |
|
Piano Concerto No 3 (Finale) (Sergei Rachmaninov arr Philip Harper) |
| 3 |
Valaisia Brass Band |
Arsène Duc |
4 |
170 |
2 |
6 |
173 |
3 |
343 |
|
The Planets Suite (Uranus & Jupiter) (Gustav Holst arr Stephen Roberts) |
| 4 |
Ensemble de Cuivres Valaisan |
François Roh |
8 |
169 |
3 |
1 |
171 |
4 |
340 |
|
Scythian Suite (Sergei Prokofiev arr Julien Roh) |
| 5 |
Brass Band Luzerner Hinterland |
Hervé Grélat |
9 |
169 |
3 |
5 |
164 |
5 |
333 |
|
Firebird (excerpts) (Igor Stravinsky arr Ray Farr) |
| 6 |
Brass Band Berner Oberland |
Corsin Tuor |
2 |
162 |
7 |
9 |
163 |
6 |
325 |
|
Les Vêpres Siciliennes (Guiseppe Verdi arr Howard Lorriman) |
| 7 |
Wallberg Band |
Professor Garry E Cutt |
5 |
164 |
6 |
7 |
160 |
8 |
324 |
|
Rienzi Overture (Richard Wagner arr Howard Lorriman) |
| 8 |
Oberaargauer Brass Band A |
Russell Gray |
6 |
160 |
8 |
2 |
162 |
7 |
322 |
|
The Love for Three Oranges (Sergei Prokofiev arr Margaret Antrobus) |
| 9 |
Ensemble de Cuivres Mélodia |
Stéphane Duboux |
7 |
157 |
10 |
3 |
159 |
9 |
316 |
|
Le Carnaval Romain (Hector Berlioz arr Howard Lorriman) |
| 10 |
Liberty Brass Band Ostschweiz |
Andreas Koller |
3 |
159 |
9 |
8 |
154 |
10 |
313 |
|
Der Freischütz Overture (Carl Maria von Weber arr ? ?) |
Best performance of contest march: Brass Band Fribourg (playing Ravenswood (Rimmer))
Best performance of orchestral transcription: Brass Band Treize Etoiles (playing Hunnenschlacht (Liszt arr Moren))
For the entertainment programme, bands were required to play an ochestral transcription, plus a march composed by a composer from a prescribed list.
The adjudicators were in separate boxes and each awarded placings for each band for both the set test piece and the orchestral transcription. 1st place is then converted to 60 points, 2nd place 59 points, and so on. The highest and lowest marks awarded to each band were discarded and hence a maximum of 360 points (2 x 180) were available. Points scored for the own choice march were not included in the overall mark and were for the purpose of deciding the special march prize only.